1,209 Royalty-Free Audio Tracks for "20 Equal Temperament Intervals"

*Augmented eleventh on C = F♯'. Equal-tempered: 218/12:1 = 1800 cents. MIDI pitch bend: none

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70

*Eleventh harmonic on C = F↑ (Ben Johnston's notation). 11:8 = 551.32 cents. Limit: 11-limit. MIDI pitch bend: 54,80

*Just augmented sixth on C = A♯. 125:72 = 955.03 cents. Limit: 5-limit. MIDI pitch bend: 78,49

*Just augmented seventh (125th harmonic) on C = B♯+++. 125:64 = 1158.94 cents. Limit: 5-limit. MIDI pitch bend: 110,50

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Seven steps in A12 equal temperament on middle C. 3(7/12)=1109.47 cents.

*Two-hundred-ninth subharmonic on C = E↓. Just: 256/209 = 351.17 cents. Limit: 19-limit. MIDI pitch bend: 47,48

Six steps in A12 equal temperament on middle C. 3(6/12)=950.98 cents.

D♭7♯11 chord = G7alt chord.

*Hundred-sixty-ninth subharmonic on C = G♯. Just: 256/169 = 718.94 cents. Limit: 13-limit. MIDI pitch bend: 7,70

Five steps in A12 equal temperament on middle C. 3(5/12)=792.48 cents.

*Fifty-first subharmonic on C = F♭. Just: 64/51 = 393.09 cents. Limit: 17-limit. MIDI pitch bend: 101,61

*Twenty-ninth subharmonic on C = D-. Just: 32/29 = 170.42 cents. Limit: 29-limit. MIDI pitch bend: 68,54

*Hundred-sixty-first subharmonic on C = A♭-. Just: 256/161 = 802.90 cents. Limit: 23-limit. MIDI pitch bend: 118,64

*Thirty-ninth subharmonic on C = A. Just: 64/39 = 857.52 cents. Limit: 13-limit. MIDI pitch bend: 51,50

Dominant thirteenth: four-voice version.

*Hundred-eighty-seventh subharmonic on C = G↓♭. Just: 256/187 = 543.73 cents. Limit: 17-limit. MIDI pitch bend: 127,77

*Hundred-fifteenth subharmonic on C = E♭-. Just: 128/115 = 185.41 cents. Limit: 23-limit. MIDI pitch bend: 42,59

*Hundred-nineteenth subharmonic on C = D♭-. Just: 128/119 = 126.22 cents. Limit: 17-limit. MIDI pitch bend: 49,72

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

Two steps in A12 equal temperament on middle C. 3(2/12)=316.99 cents.

Tridecimal narrow tritone on C. F♯+ = 18/13 = 563.38 cents.

*Fifty-seventh subharmonic on C = D-. Just: 64/57 = 200.53 cents. Limit: 19-limit. MIDI pitch bend: 21,64

*Two-hundred-seventh subharmonic on C = F♭-. Just: 256/207 = 367.82 cents. Limit: 23-limit. MIDI pitch bend: 89,53

*Hundred-ninety-fifth subharmonic on C = F. Just: 256/195 = 471.20 cents. Limit: 13-limit. MIDI pitch bend: 100,54

*33rd subharmonic on C = C↓. Just: 64:33 = 1146.73 cents. Limit: 11-limit. MIDI pitch bend: 122,78

*Hundred-seventy-first subharmonic on C = G-. Just: 256/171 = 698.58 cents. Limit: 19-limit. MIDI pitch bend: 69,63

Dominant seventh flat nine chord on C - As MIDI

Dominant thirteenth chord in four-part writing.

Four steps in A12 equal temperament on middle C. 3(4/12)=633.99 cents.

Eight steps in A12 equal temperament on middle C. 3(8/12)=1267.97 cents.

*Hundred-forty-third subharmonic on C = B↓. Just: 256/143 = 1008.15 cents. Limit: 13-limit. MIDI pitch bend: 78,66

*Hundred-fifty-third subharmonic on C = B-. Just: 256/153 = 891.13 cents. Limit: 17-limit. MIDI pitch bend: 20,61

*Hundred-thirty-third subharmonic on C = B-. Just: 256/133 = 1133.66 cents. Limit: 19-limit. MIDI pitch bend: 98,74

Three steps in A12 equal temperament on middle C. 3(3/12)=475.49 cents.

*77th subharmonic on C = A↓. Just: 128:77 = 879.86 cents. Limit: 11-limit. MIDI pitch bend: 71,89 on m6

*Sixty-ninth subharmonic on C = C♭-. Just: 128/69 = 1069.77 cents. Limit: 23-limit. MIDI pitch bend: 41,54

*Two-hundred-fifty-third subharmonic on C = D↓♭-. Just: 256/253 = 20.41 cents. Limit: 23-limit. MIDI pitch bend: 67,70

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

Nine steps in A12 equal temperament on middle C. 3(9/12)=1426.47 cents.

Two-hundred-forty-seventh subharmonic on C = C♯. 256/247 = 61.96 cents.

*Sixty-fifth subharmonic on C = C. Just: 128/65 = 1173.16 cents. Limit: 13-limit. MIDI pitch bend: 52,55

Eleven steps in A12 equal temperament on middle C. 3(11/12)=1743.46 cents.

One step in A12 equal temperament on middle C. 3(1/12)=158.50 cents.

Scale of harmonics on C.

Ten steps in A12 equal temperament on middle C. 3(10/12)=1584.96 cents.